A Single Shard

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Park, Linda Sue.  2001.  A Single Shard.  New York:  Houghton Mifflin Company.  ISBN:  0395978270.  Recommended for ages 12 and up.

Tree-ear, a thirteen-year-old orphan in medieval Korea, lives under a bridge in a potters' village, and longs to learn how to throw the delicate celadon ceramics himself.

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Programming Idea:  Selection for a J/YA book discussion

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Possible Discussion Questions:

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Discuss about the Master’s passion for pottery, and his quest for perfection.  What do you have that kind of passion for?  Is it always an art form (writing, drawing, composing)?  If you do not have something that you feel that kind of passion for, can you think of something that would be similar?

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Discuss the situation with the Master’s dead son, and the ending of the book.  How hard do you think it was for the Master & his wife to accept Tree-Ear as a son?  Do you think that the Master’s harshness towards Tree-Ear during the majority of the novel is a result of that loss, or the fact that Tree-Ear is similar in age and temperament to the dead son?  Do you think that if Tree-Ear’s guardian had not died, the Master & his wife would have adopted him?  How strange do you think it is that they renamed Tree-Ear, and he now has a similar name to the dead son?

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Related books:  Bud, Not Buddy by Christopher Paul Curtis, and Monkey Island by Paula Fox.

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 To extend the novel, I would have students work individually or in teams to research more about celadon pottery which plays such an important role in the text. Linda Sue Park shares in the author’s note how much research it took to write the novel. “Every piece described in the book actually exists in a museum or private collection somewhere in the world” (149). Linda Sue Park’s own web page  would be an excellent place to have the students begin. One of the pages of her site, Behind the Scenes of A Single Shard, shows real pictures of the celadon pottery that inspired the novel including ‘The Thousand Crane’ vase. In addition to Park’s own sites, the students could search the internet to see what other information is available.

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Alternatively, you could use the novel as an opportunity to discuss how important research is in various types of writing. The need for research goes beyond “research papers” and extends to fiction and other types of creative writing as well. You could discuss the role of research in writing, how to research, how to evaluate research, how to use research, etc.
by Rebecca Michelle Laney

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For a fourth grade class, I would have students research Celadon pottery by using two websites:
www.ware4u.com/pottery/celadon/celadon.htm

www.slu.edu/organizations/ksa/korean_pottery.htm 
These sites are both appropriate for fourth graders, and provide some good background information on Korea and this type of pottery. 

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Focusing on character development, I would have students create a timeline of how Tree Ear developed over the course of the story. Starting as a simple homeless child to becoming a potter himself.
by Dorothy Duffy

bulletAfter reading a book talk interview from Scholastic, I realized how important it is for students to interview people. I think students could interview characters of the book. Each student can not only practice their interviewing skills by asking various questions, but students can take on the role of one of the characters in the book.
bulletFor example, Sue and Tom are partners. Sue must interview Tom, who is acting like Crane-Man. Sue must ask various questions based on the things she knows about the environment of Crane-Man (How did your hurt your legs?, Where is your family? Do you wish you were somewhere else and where would that be?). In return, Tom must take on the role of Crane-Man and give valid responses based on reading the book. Tom would have to analyze Crane-Man’s character. Finally, after completing the interview, Sue could write a short narrative of her interview process similar to the book talk that Scholastic discusses.
by Ardis Freeman
bulletFor 3rd-7th grades
bulletHeavily centered around clay and pottery, after reading A Single Shard students should bring in their own shards or pieces of memory.  These may be toys, pictures, trophies, material or any other small item that can tell a story from their life, or have important meaning to them.  On the "memory Shards" Day, break the class into small groups of 4 or 5 to allow everyone to share their memory.  When everyone has shared their memory, allow time to write on the subject, with the writings and memory shards to be displayed if the children are agreeable.
by Lauren de Decker
bulletMake a slab self-portrait!  Follow the directions from this website: www.handsoncrafts.org/001.htm
by Jo Anna Patton
bulletA great activity would be for students to create their own ceramic piece.  By incorporating art with reading, students can begin with kneading the clay to the right consistency.  After the clay is ready, students can use the wheel to start forming their piece to their desire.  Once the item is created, it is placed in a kiln to be fired up.  After the ceramic piece is dry, the students can experiment with glazing and drying.  By performing this activity, students can visualize what Tree-ear experience throughout the story.
by Mary Barr
bulletAges 8 & up
bulletA good opportunity for the students to connect with the story would be to have them learn to make pottery, preferribly by going on a field trip of some sorts, perhaps to a factory where pottery is made.  Even better would be giving the students a chance to make their own pottery.  A good website that teaches people how to make pottery step by step is:  http://www.ptterymaking.org/learn.html
by Emily Chou
bulletFor grades 4th - 6th
bulletGive readers a glimpse of some real pices of pottery that the novel is based on.  Visit Linda Sue Park's website at http://www.lindasuepark.com/books/singleshard/singleshardbs.html.  This site provides actual photographs of many of the pieces described in the book, with brief descriptions of each of the works.  After viewing the image of the Rock of Falling Flowers, utilize the Author's Note in the back of the text to map the adventures of Tree-ear.
bulletAfter looking at the actual photos of pottery, have students try molding their own piece of clay.  Provide students with a small piece of clay and toothpicks, and let them see what they are able to create.
by Ashley Stephenson
bulletHave students create an origami crane.  The crane is a symbol of hope and peace, and it is fitting that the Crane-man was those things to young Tree-ear.  Instructions for folding an origami crane are available over the Internet, or in numerous books.  I use On the Wings of Peace.  This activity would be used as a culmination after the group discussion about the qualities of the characters in this book.
Marlene M. Montgomery