|
BOOKS
Genealogy
& Sephardic Jews
| |
|
|
A
B
C
D-E
F-H
I
J-L
M
N-P
Q-S
T
U-V
W-Z |
|
|
|
Barrio
Boy
Author: Ernesto
Galarza
Price: $10.50
Shipping: $
Now
in its eleventh printing, Barrio Boy has sold over 50,000 copies. It
is the remarkable story of one boy's journey from a Mexican village so
small its main street didn't have a name, to Sacramento, California,
bustling and thriving in the early decades of the twentieth century.
The
story begins in Galarza's mountain village in Mexico. When the
turmoil and tensions of the Mexican Revolution begin to rumble, the family
leaves their tiny village in search of safety and work in a nearby
city. Subsequent moves introduce the boy to the growing turbulence
of the Revolution and the uncertainties of city life. He experiences
firsthand the difficulties in finding work in am strife-torn nation, in
securing an education, and in keeping a close-knit family intact. By
the time his family finally settles in Sacramento, young Ernesto
encounters new experiences and influences that will forever shape his
outlook and broaden his horizons. With
vivid imagery and a rare gift for recreating a child's sense of time and
place, Galarza gives an account of the early experiences of his
extraordinary life that will continue to delight readers for decades to
come.
|
|
|
Brown,
Not White School
Integration and the Chicano Movement in Houston
Author: Guadalupe
San Miguel, Jr.
Price: $34.95
(cloth)
Shipping: $
Strikes,
boycotts, rallies, negotiations, and litigation marked the efforts of
Mexican-origin community members to achieve educational opportunity and
oppose discrimination in Houston schools in the early 1970s. These
responses were sparked by the effort of the Houston Independent School
District to circumvent a court order for desegregation by classifying
Mexican American children as "white' and integrating hem with African
American children--leaving Anglos in segregated schools. Gaining
legal recognition for Mexican Americans as a minority group became the
only means for fighting this kind of discrimination.
The
struggle for legal recognition not only reflected an upsurge in organizing
within the community but also generated a shift in consciousness and
identity. In Brown, Not White Guadalupe San Miguel, Jr., astutely
traces the evolution of the community's political activism in education
during the Chicano Movement era of the early 1970s. San
Miguel also identifies the important implications of this struggle for
Mexican Americans and for public education. First, he demonstrates,
the political mobilization in Houston underscored the emergence of a new
type of grassroots ethnic leadership committed to community empowerment
and to inclusiveness of diverse ideological interests within the minority
community. Second, it signaled a shift in the activist community's
identity from the assimilationist "Mexican American Generation"
to the rising Chicano Movement with its "nationalist"
ideology. Finally, it introduced Mexican American interests into
educational policy making in general and into the national desegregation
struggles. in particular. This important
study will engage those interested in public school policy, as well as
scholars of Mexican American history and the history of desegregation in
America.
|
|
|
Buffalo
Nickel
Author: Floyd
Salas
Price: $20.00
(cloth)
Shipping: $
Novelist
Floyd Salas has chartered his dramatic coming of age in the conflicting
shadows of two older brothers; one a drug addict and petty criminal, the
other an intellectual prodigy. Through intense, passionate prose,
Salas takes us through the seedy bars, boxing rings and jails of his youth
as he searches for his own true identity amid the tragedies that envelope
his family.
Buffalo
Nickel is autobiography that reads like a well-crafted novel in its
recording of the excessive human costs of drug addiction. Salas
is the author of three novels hailed as "stirring,"
stunning" and "vivid and authentic" by the New York
Times and the Los Angeles Times. Publishers Weekly
has called his work "Powerful and disturbing." Kirkus
Reviews has said of Salas that he is "A natural talent of
tremendous strength." What the Saturday Review stated
about his Tattoo the Wicked Cross may be repeated about Buffalo
Nickel: "It has the troublesome authenticity of a tragedy
well rehearsed."
Previous Next
|
|
|
|
|