The Doing of Being With
If you shout at me and I conclude that, "You are shouting at me because
you are projecting your bad mother onto me and are really yelling at her,"
I leave the phenomenon (the shout) in pursuit of explanation. Why do this?
It only makes the image into a thing for me to control by exercising my
power to name. "Sometimes the name of an object," wrote Rene Magritte,
"takes the place of an image . . . A word can take the place of an object
in reality" (Foucault, 1983)
There are three absolute rules for working with the Psyche.
.......unfortunately, nobody knows what they are.
(A paraphrase of Cousineau, 1994, p. XXVIII )
Note: These excursions in thought are for those of us who enjoy
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Transference and its permutations form the theoretical backbone of many psychologies. But theory aside, the real question is about "meeting" another person. What does one do? What does one say? How should one think about what is happening? Surely, the answer is not synonymous with the rules and procedures of a modern science, or the harsh timbre of some clinical technology. In psychology at least, does one possess anything one has not experienced with one’s heart and lungs? Surely the disembodied flights of Cartesian sensibilities that know the words but not the substance of the thing, could not possibly account for an adequate way of meeting (Jung, 1959j). Instead, the meeting of another must bubble up through the effervescent process of "coming to know" not only with the mind, but with the stomach, and the knees, and the teeth. This is a physical act of doing, as with a making with one’s hands. Theory is one thing, but one’s clinical methodology, if it is to embody the meeting, should be like the "making with one’s hands." And, as Hillman points out, you have to be careful where you put your hands . . . . for they are the places where the soul comes out (Bly, Hillman & Meade, 1990).
In my own search for away of doing psychotherapy I have been guided by the conviction that the real power to interact with the structure of human life does not reside in some partial function of the psyche. Instead, only that function that can be in actual contact with the Self possesses this magic (Binswanger, 1963).
We spiral round these points of connotative substance revealed through the abstractions of our fantasies. As felt places, our doing psychology proceeds from the ambiguities and distinctions found peppering our theoretical orientations. When a client acts thus-and-so, I react, I am affected, I respond. Meaning flows out from my theoretical bearings. But, were I to look only at theory I would miss the fact that
This is no easy Golden Fleece to snatch. Most attempts to reformulate psychoanalysis in these terms have failed. Gestalt had roots in phenomenology (Van De Riet, Korb & Gorrell, 1935), but it often harbored Kantian themes of representation, and embraced a physicalistic model. Its interest steered toward locating truth inside the world of natural sciences. By searching out physics, where it cannot be found, it missed the ineffable clue to the mystery of the human soul. The work of Ludwig Binswanger, Medard Boss, Rollo May, and Irvin Yalom all recognized consciousness as first intending an other it does not at first know itself intending (Ricoeur, 1970). Bnswanger was at home outside the physical sciences. He demanded a presuppositionless discipline in which the investigator could apprehend the experience of the patient. Like Hillman, his approach intended to allow imaginal phenomena to speak for themselves (Binswanger, 1963).
The principle features of a phenomenological alternative, it seems to me, would begin by defining the shape of consciousness as always directed toward something other than itself. In this, one finds both distinctions and the correlation’s between the object and the subject that knows the object. Within this, one can distinguish between that which is experienced and the way in which it is experienced. The subject and the object of experience are then reflectively yoked to their underlying reciprocality as a relational syzygy.
Next, one suspends the so-called natural attitude (see Note-3.1):
This requires more than the simple stating of the self-evident (Selbstverstandlichkeit). The ego always thinks it knows the being-there of the world, it always thinks it knows itself. The phenomenological alternative could only humiliate this knowledge of the ego’s, historical texts compiling the infrastructure of our ego’s way of "knowing" becoming no more sacred than anything else. We would no longer grant credence to those realities understood in the form of images. Instead, we would honor those realities understood to be images (Sontag, 1973, p. 153). In other words, we would treat the image not as a latent representation of something else more "real." We would treat the image as a viable phenomena in its own right.
This position avoids treating phenomena as if they were products of subjective realities located somewhere inside a perceiver, or an objective reality located somewhere outside the perceiver. It avoids limiting phenomena to the realm of visual representation, and never locates the essence or meaning of the phenomenon outside itself. It focuses on the structure of experience rather than its content.
I mean to search for that which the phenomenon is, that which defines the phenomenon, the idea of the phenomenon, the nature of the phenomenon, the function of the phenomenon, the phenomenon’s program (Ricoeur, 1970, p. 38). A viable alternative to the Cartesian schematic would nurture this technique of description and avoid the transition to explanation. If you shout at me and I conclude that, "You are shouting at me because you are projecting your bad mother onto me and are really yelling at her," I leave the phenomenon (the shout) in pursuit of explanation. Why do this? It only makes the image into a thing for me to control by exercising my power to name. "Sometimes the name of an object," wrote Rene Magritte, "takes the place of an image . . . A word can take the place of an object in reality" (Foucault, 1983). It robs the life from that which presents itself to consciousness. By describing the shout or its effects in a manner such as, "When you shout at me, I feel frightened and I want to run the other direction," the essence of the image is normalized to the image. Similarly, attempting to distinguish your intrapsychic content from mine becomes nonsensical. The real issue is one of procedure. There may be no reliable way of distinguishing your intrapsychic content from mine. The categories themselves are questionable. How then to proceed?
One might ask if we are not a little hard on transference? How can I deny the existence of phenomena that seem to belong to me and me alone, that have nothing to do with you? And how can I deny that these phenomena do from time to time manage to project themselves out into the world? But first we must acknowledge the experience. The experience cannot be argued away. The distinctions between that which is yours and that which is mine can. This should be extended to encompass arguments about what is intrapsychic and what is not (the same argument), or what is truth and what is not, or what is history and what is not. All of these categories belong to the natural attitude. The very image of something being intrapsychic implies container space --something inside. Transference gets caught up with this spatial analogy, the point often being made that transference represents a block to real relationship because the "other" cannot be seen through the cloud of transferred intrapsychic content. But I suggest that to definitively distinguish what is transference (in other words, content that is transferred) from what is not is a dangerous pastime. We might do well to drop the argument about what is or is not transference, and proceed as if everything that presences is at least reciprocal, as a "Great wind of emptyness blowing toward an object" (Sartre, 1957, p. 22).. Thus, when someone tells you a story you might normally consider historical, you admit that you have no way of knowing that this history is some objective thing that exists apart from your relationship in the moment. Maybe it is, and maybe it is not. We could proceed as if this history was being reciprocally revealed in the moment with, rather than in spite of, your being there.
Still, with this in mind the pursuit of images should not terminate with description alone. Images sometimes call for explanation. Description should then help to formulate the basis for such explanation, making semantic connections among related meanings. We are not trying to avoid judgment or explanation per se, we are trying to avoid those preconceived judgments and explanations having nothing to do with the image itself. The problem then becomes one of how to know when one should leave the strictly descriptive mode for that of explanation.
These four characteristics define the core of Phenomenology’s methodological displacement of consciousness. One might refer to this as the phenomenological attitude, comparable to Jung’s symbolic attitude. It formulates what, in Paul Ricoeur’s words;
Phenomenology asserted in response that the object given to consciousness is the essence of the object experienced empirically, attacking Kant’s idea by arguing that he had limited all experience to that of the empirical, assuming that everyone’s mind had the same categorical filters (Lemay & Pitts, 1994). Husserl insisted on the irreducibility of essences to subjective processes. For Hussurl, the phenomenon given to consciousness was what Kant referred to as the thing-in-itself (See for instance; Hammond, Howarth & Keat, 1994; Stewart & Mickunas, 1990).
The unconscious is a world with a face which, even when given within the things of the world rather than between them, is bound by the contingently given rather than the factically real (p. 129-130). The unconscious demands of this given a reflective consideration (p. 130; Jung, 1959l, p. 3-105). This reflection appropriates that which has effectively been lost, and which now must be regained through a process of making one’s own what was separated by space or time, distraction or diversion, or perhaps by merely forgetting. This we call "taking back projections."
Michael Staples