MY COUSIN VINNY

 

Mona Lisa Vito (Marisa Tomei): You were gonna shoot a deer?? A poor, defenseless, doe-eyed little deer??

Imagine you're a deer. You're prancing along, you get thirsty, you spot a little brook...you put your little deer lips to the cool clear water...BAM a fuckin bullet rips off part of your head, your brains are lying on the ground in little bloody pieces, you I asks ya, would you give a fuck what kind of pants the son of a bitch who shot you was wearing?

 

Vinny Gambini (Joe Pesci): I understand you played a game of pool with Lisa for $200, which she won. I'm here to collect.
J.T.: How 'bout if I just kick your ass?
Vinny: Oh, a counter-offer. That's what we lawyers - I'm a lawyer - we lawyers call that a counter-offer. This is a tough decision here. Get my ass kicked or collect $200. Let me think... I could use a good ass-kickin', I'll be very honest with you... nah, I think I'll just go with the two hundred.

J.T.: Over my dead body.
Vinny: You like to renegotiate as you go along, don't you? Well here's my counter-offer... do I have to kill you? What if I were just to kick the ever loving shit out of you?
J.T.: In your dreams.
Vinny: Oh no, no... in reality. If I was to kick the shit out of you, do I get the money?

 

Vinny: Sure, sure I heard of grits. I've just never actually SEEN a grit before

 

Vinny: How could it take you five minutes to cook your grits when it takes the entire grit-eating world 20 minutes?
Mr. Tipton: Um... I'm a fast cook, I guess.
Vinny: [moves from beside the jury] What? I'm sorry I was over there. Did you just say you were a fast cook? Are we to believe that boiling water soaks into a grit faster in your kitchen than any place on the face of the earth?
Mr. Tipton: I don't know.
Vinny: Perhaps the laws of physics cease to exist on your stove. Were these magic grits? Did you buy them from the same guy who sold Jack his beanstalk beans?

 

Vinny Gambini: It is possible that the two utes...
Judge Chamberlailn Haller:  ...Ah, the two what? Uh... uh, what was that word?
Vinny: Uh... what word?
Judge Chamberlailn Haller:  Two what?
Vinny: What?
Judge Chamberlailn Haller:  Uh... did you say "utes"?
Vinny: Yeah, two utes.
Judge Chamberlailn Haller:  What is a ute?
Vinny: Oh, excuse me, Your Honor...  two YOUTHS.

 

Judge Chamberlailn Haller:  The next time you appear in my court, you will look lawyerly. And I mean you comb your hair, and wear a suit and tie. And that suit had better be made out of some sort of... cloth. You understand me?

 

Vinny: [Vinny hears a drip in the background] Did you use the faucet?
Mona Lisa: Yeah.
Vinny: Why didn't you turn it off?
Mona Lisa: I DID turn it off!
Vinny: Well if you turned it off, why am I listening to if?
Mona Lisa: Did it ever occur to you it could be turned off AND drip at the same time?
Vinny: No! Because if you'd turn it off, it wouldn't drip!
Mona Lisa: Maybe it's broken.
Vinny: Is that what you say? It's broken?
Mona Lisa: Yeah. That's it, it's broken.
Vinny: You sure?
Mona Lisa: I'm positive.
Vinny: Maybe you didn't twist it hard enough.
Mona Lisa: I twisted it just right.
Vinny: How could you be so sure?
Mona Lisa: [sighs] You will look in the manual, you will see that this particular model faucet requires a range of 10 to 16 foot-pounds of torque. I routinely twist the maximum allowable torquage.
Vinny: How could you be sure you used 16 foot-pounds of torque?
Mona Lisa: Because I used a Craftsman model 1019 Laboratory Edition Signature Series torque wrench. The kind used by Caltech high energy physicists and NASA engineers.
Vinny: Well, in that case, how can you be sure THAT's accurate?
Mona Lisa: Because a split second before the torque wrench was applied to the faucet handle, it had been calibrated by top members of the state AND federal Department of Weights and Measures... to be dead on balls accurate! Here's the certificate of validation (Tears out a magazine page and hands it to him).
Vinny: Dead on balls accurate?
Mona Lisa: It's an industry term.
Vinny: [tossing paper away] I guess the fucking thing is broken.

 

Bill:  You have to see the Gambinis in action. I mean, these people, they love to argue. I mean, they live to argue.
Stan:  My parents argue too, it doesn't make them good lawyers.
Bill: Stan, I've seen your parents argue. Trust me, they're amateurs.

 

Mona Lisa: 'Cause Chevy didn't make a 327 in '55, the 327 didn't come out till '63. And it wasn't offered in the Bel Air with a four-barrel carb till '64. However, in 1964, the correct ignition timing would be four degrees before top-dead-center.

 

Mona Lisa: The car that made these two, equal-length tire marks had posi-traction. You can't make these marks without posi-traction, which was not available on the '64 Buick Skylark!
Vinny: And why not? What is posi-traction?
Mona Lisa: It's a limited slip differential which distributes power equally to both the right and left tires. The '64 Skylark had a regular differential, which, anyone who's been stuck in the mud in Alabama knows, you step on the gas, one tire spins, the other tire does nothing.
[
the jury members nod, with murmurs of "yes," "that's right," etc]
Vinny: Is that it?
Mona Lisa: No, there's more! You see where the left tire mark goes up on the curb and the right tire mark stays flat and even? Well, the '64 Skylark had a solid rear axle, so when the left tire would go up on the curb, the right tire would tilt out and ride along its edge. But that didn't happen here. The tire mark stayed flat and even. This car had an independent rear suspension. Now, in the '60's, there were only two other cars made in America that had posi-traction, and independent rear suspension, and enough power to make these marks. One was the Corvette, which could never be confused with the Buick Skylark. The other had the same body length, height, weight, wheel base, and wheel track as the '64 Skylark, and that was the 1963 Pontiac Tempest.
Vinny: And because both cars were made by GM, were both cars available in metallic mint green paint?
Mona Lisa: They were!
Vinny: Thank you, Ms. Vito. No more questions. Thank you very much. (kissing her hands)

You've been a lovely, lovely witness.

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